HERITAGE VALUE OF THE KALINGA TEXTILE

The heritage value of the “LAGA” Kalinga Textile is deeply rooted in Kalinga traditions, where it is presented as “lilay” or “linay” (community tokens) to “binodngan” (partner tribes) during “bodong” (peace pact) celebrations reinforcing unity and diplomacy.

CULTURAL PROTOCOL IN THE UTILIZATION OF KALINGA INDIGENOUS ATTIRE

The Ka-in wrap-around skirt, along with its accessories, is traditionally worn exclusively by women in Kalinga culture. In contrast, the Ba’ag, along with its distinct accessories, is reserved strictly for men. These garments are deeply tied to cultural identity, and any improper use—such as cross-gender wearing or mishandling—that may defile or diminish their cultural significance is considered a serious taboo.

In addition to their garments, women adorn themselves with a variety of body ornaments that hold significant cultural meaning. Conversely, men wear distinct body ornaments that reflect their roles and status within the community, as outlined below.

It is important to note that these body ornaments, like the garments, are strictly gender-specific and cannot be cross-worn. A woman wearing male ornaments or a man wearing female ornaments is seen as an affront to cultural norms and the sacredness of these items. Such actions are viewed as a serious taboo, undermining the traditional values and social order that these garments and ornaments uphold.

In Kalinga society, attire and body adornments are not merely functional or decorative; they are imbued with deep cultural and spiritual meaning.

The strict adherence to gender-specific garments and ornaments helps preserve traditions and ensures that the cultural values embedded in these practices are respected.

To wear these items improperly, or to use them in a way that contradicts their intended purpose, is seen not only as disrespectful to cultural heritage but also as an affront to the community’s identity, social order, and sacred customs. (Kalinga Tourism post)